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Who We Wont Get Fooled Again With Lyrics on Screen

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1971 unmarried past the Who

1971 single by The Who

"Won't Become Fooled Once again"
Won't get fooled again.jpg
Single past The Who
from the album Who's Next
B-side "I Don't Even Know Myself"
Released 25 June 1971 (1971-06-25) (Britain)
17 July 1971 (1971-07-17) (US)
Recorded April–May 1971
Studio
  • Rolling Stones Mobile, Stargroves, England
  • Olympic Studios, London
Genre
  • Difficult stone[ane]
  • progressive stone[ii]
Length
  • eight:32 (anthology version)
  • 3:36 (single edit)
Label
  • Track (UK)
  • Decca (US)
Songwriter(s) Pete Townshend
Producer(s)
  • The Who
  • Glyn Johns (associate producer)
The Who singles chronology
"See Me, Feel Me"
(1970) 		"Won't Get Fooled Over again"
(1971) 		"Allow'south See Action"
(1971)

"Won't Get Fooled Again" is a song by the English rock band the Who, written past Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-infinitesimal version appears every bit the final track on the band'due south 1971 album Who's Next, released that August.

Townshend wrote the song as a closing number of the Lifehouse project, and the lyrics criticise revolution and power. To symbolise the spiritual connection he had found in music via the works of Meher Baba and Inayat Khan, he programmed a mixture of human being traits into a synthesizer and used it every bit the main backing instrument throughout the vocal. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the side by side month using the synthesizer from Townshend'due south original demo. Ultimately, Lifehouse as a project was abandoned in favour of Who's Next, a straightforward album, where information technology besides became the closing runway. Information technology has been performed equally a staple of the band's setlist since 1971, often equally the set closer, and was the last song drummer Keith Moon played live with the ring.

Besides as existence a hit, the song has accomplished disquisitional praise, actualization equally one of Rolling Rock 's The 500 Greatest Songs of All Fourth dimension. It has been covered by several artists, such as Van Halen, who took their version to No. 1 on the Billboard Album Rock Tracks nautical chart. It has been used for several TV shows and films (most notably CSI: Miami), and in some political campaigns.

Groundwork [edit]

The song was originally intended for a rock opera Townshend had been working on, Lifehouse, which was a multi-media exercise based on his followings of the Indian religious avatar Meher Baba, showing how spiritual enlightenment could exist obtained via a combination of band and audience.[3] The song was written for the end of the opera, afterwards the chief character, Bobby, is killed and the "universal chord" is sounded. The main characters disappear, leaving behind the authorities and army, who are left to cracking each other.[4] Townshend described the song as one "that screams disobedience at those who experience any cause is better than no cause".[5] He later on said that the song was not strictly anti-revolution despite the lyric "We'll be fighting in the streets", but stressed that revolution could be unpredictable, adding, "Don't expect to see what you expect to run into. Expect nil and yous might gain everything."[6] Bassist John Entwistle later on said that the song showed Townshend "proverb things that really mattered to him, and saying them for the showtime time."[7]

Townshend had been reading Universal Sufism founder Inayat Khan'southward The Mysticism of Sound and Music, which referred to spiritual harmony and the universal chord, which would restore harmony to humanity when sounded. Townshend realised that the newly emerging synthesizers would allow him to communicate these ideas to a mass audience.[8] He had met the BBC Radiophonic Workshop which gave him ideas for capturing homo personality within music. Townshend interviewed several people with general practitioner-way questions, and captured their heartbeat, brainwaves and astrological charts, converting the event into a series of audio pulses. For the demo of "Won't Become Fooled Once more", he linked a Lowrey organ into an EMS VCS 3 filter that played back the pulse-coded modulations from his experiments.[8] He subsequently upgraded to an ARP 2500.[9] The synthesizer did not play any sounds direct as information technology was monophonic; instead it modified the block chords on the organ as an input signal.[10] The demo, recorded at a slower tempo than the version by the Who, was completed by Townshend overdubbing drums, bass, electric guitar, vocals and handclaps.[xi]

Recording [edit]

The Who'due south first effort to tape the song was at the Record Plant on W 44 Street, New York City, on 16 March 1971. Manager Kit Lambert had recommended the studio to the group, which led to his producer credit, though the de facto work was washed by Felix Pappalardi. This take featured Pappalardi'south Mountain bandmate, Leslie West, on lead guitar.[12]

Lambert proved to exist unable to mix the track, and a fresh attempt at recording was made at the first of April at Mick Jagger's firm, Stargroves, using the Rolling Stones Mobile Studio.[13] Glyn Johns was invited to help with production, and he decided to re-use the synthesized organ track from Townshend's original demo, as the re-recording of the role in New York was felt to be junior to the original. Keith Moon had to carefully synchronise his drum playing with the synthesizer, while Townshend and Entwistle played electric guitar and bass.[xiv]

Townshend played a 1959 Gretsch 6120 Chet Atkins hollow trunk guitar fed through an Edwards volume pedal to a Fender Bandmaster amp, all of which he had been given past Joe Walsh while in New York. This combination became his main electric guitar recording setup for subsequent albums.[15] Although intended as a demo recording, the cease issue sounded and so good to the band and Johns, they decided to use it as the final take.[14] Overdubs, including an acoustic guitar part played by Townshend, were recorded at Olympic Studios at the stop of Apr.[thirteen] [fourteen] The track was mixed at Island Studios by Johns on 28 May.[xiii] After Lifehouse was abandoned as a project, Johns felt "Won't Get Fooled Once again", along with other songs, were so expert that they could simply be released as a standalone single anthology, which became Who'southward Side by side.[16] This song is written in the fundamental of A Mixolydian.[17]

Release [edit]

"Won't Get Fooled Once more" was commencement released in the Britain equally a single A-side on 25 June 1971, edited downward to three:35. It replaced "Behind Blueish Eyes", which the group felt didn't fit the Who'due south established musical way, as the selection of single. It was released in July in the US. The B-side, "I Don't Even Know Myself" was recorded at Eel Pie Studios in 1970 for a planned EP that was never released. The single reached No. 9 in the Britain charts and No. fifteen in the US. Initial publicity cloth showed an abandoned encompass of Who'south Adjacent featuring Moon dressed in drag and brandishing a whip. [xviii]

The full-length version of the song appeared every bit the closing rails of Who'due south Next, released in August in the US and 27 Baronial in the Great britain, where it topped the album charts.[19] "Won't Get Fooled Again" drew strong praise from critics, who were impressed that a synthesizer had managed to be integrated so successfully within a rock song.[twenty] Who author Dave Marsh described vocalist Roger Daltrey'south scream near the end of the runway as "the greatest scream of a career filled with screams".[21] Cash Box said of it that the song has "rousing magic with the Who'due south trademark instrumental and vocal strength" and that "revolutionary lyric matched by the group's performance fervor make this a monster on its way."[22] In 2021, the song was ranked number 295 on Rolling Stone 's The 500 Greatest Songs of All Time.[23] As of March 2018 it was certified Silver for 200,000 sold copies in the UK.[24]

Live performances [edit]

The Who start performed the song live at the opening engagement of a series of Lifehouse-related concerts in the Young Vic theatre, London on 14 Feb 1971. Information technology has subsequently been part of every Who concert since,[25] [26] oftentimes as the set closer and sometimes extended slightly to let Townshend to blast his guitar or Moon to kick over his drumkit. The group performed live over the synthesizer part beingness played on a backing tape, which required Moon to vesture headphones to hear a click rail, allowing him to play in sync. It was the last track Moon played live in front of a paying audience on 21 Oct 1976[27] and the last song he ever played with the Who at Shepperton Studios on 25 May 1978, which was captured on the documentary film The Kids Are Alright.[28] The song was office of the Who's set at Live Aid in 1985, Live viii in 2005, T4 on the Beach in 2008 and Upper-case letter FM'southward Summertime Brawl concert in 2009, 2010 and 2015 and the radio station's Jingle Bell Ball concerts in 2009 and 2015.[29]

In October 2001, The Who performed the song at The Concert for New York Urban center to help raise funds for the families of firemen and constabulary officers killed during the ix/11 attacks. They finished their fix with 'Won't Get Fooled Again' to a responsive and emotional audience, with shut-up aerial video footage of the World Trade Middle buildings playing behind them on a huge digital screen. In February 2010, the group closed their set up during the halftime evidence of Super Bowl XLIV with this song.[30] While the Who have continued to play the vocal live, Townshend has expressed mixed feelings for information technology, alternating betwixt pride and embarrassment in interviews.[31] Who biographer John Atkins described the rail as "the quintessential Who's Adjacent track only not necessarily the best."[32]

Several alive and alternative versions of the song have been released on CD or DVD. In 2003, a deluxe version of Who's Next was reissued to include the Tape Institute recording of the track from March 1971 and a live version recorded at the Young Vic on 26 Apr 1971.[33] The vocal is also included on the album Live at the Royal Albert Hall, from a 2000 evidence with Noel Gallagher guesting.

Daltrey, Entwistle and Townshend have each performed the song at solo concerts. Townshend has re-bundled the song for solo performance on acoustic guitar.[34] [35] On 30 June 1979, he performed a duet of the song with classical guitarist John Williams for the 1979 Amnesty International do good The Hugger-mugger Policeman's Ball.[36]

In May 2019, Daltrey and Townshend performed a version of the song on classroom instruments with Jimmy Fallon and his house band the Roots for the This night Bear witness.[37] [38]

Chart history [edit]

Personnel [edit]

  • Roger Daltrey – lead vocals
  • Pete Townshend – electric guitar, acoustic guitar, EMS VCS iii, Lowrey organ, vocals
  • John Entwistle – bass guitar
  • Keith Moon – drums, percussion

Cover versions [edit]

The song was first covered in a distinctive soul style past Labelle on their 1972 album Moon Shadow.[49] Van Halen covered the song in concert in 1992. Eddie Van Halen re-arranged the rails so that the synthesizer role was played on the guitar. A live recording was released on Live: Right Hither, Right Now,[50] and made information technology to number one on the Billboard Album Stone Tracks nautical chart.[51]

Both Axel Rudi Pell (on Diamonds Unlocked) and Hayseed Dixie (on Killer Grass) covered the song in their established styles of metal and bluegrass respectively.[52] [53] Richie Havens covered the track on his 2008 anthology, Nobody Left to Crown, playing the song at a slower tempo than the original.[54]

References [edit]

Citations

  1. ^ Cavanagh, David (2015). Good Night and Skilful Riddance: How Thirty-5 Years of John Peel Helped to Shape Modern Life. Faber & Faber. p. 158. ISBN9780571302482.
  2. ^ "The Who's 'Who's Next': A Rails-past-Track Guide".
  3. ^ Neill & Kent 2002, p. 273.
  4. ^ Marsh 1983, p. 371.
  5. ^ Atkins 2000, p. 157.
  6. ^ "Pete's Diaries – Won't Get Judged Once more". petetownshend.co.uk. 27 May 2006. Archived from the original on five December 2006. Retrieved 8 January 2012.
  7. ^ Thompson, Dave (2011). 1000 Songs that Rock Your World: From Stone Classics to 1-Hit Wonders, the Music That Lights Your Fire . Krause Publications. p. 22. ISBN978-1-4402-1899-6.
  8. ^ a b Unterberger 2011, p. 27.
  9. ^ Neill & Kent 2002, p. 250.
  10. ^ Unterberger 2011, p. 28.
  11. ^ Unterberger 2011, p. 51.
  12. ^ Neill & Kent 2002, p. 279.
  13. ^ a b c Neill & Kent 2002, p. 280.
  14. ^ a b c Atkins 2000, p. 152.
  15. ^ Hunter, Dave (15 April 2009). "Myth Busters: Pete Townshend'due south Recording Secrets". Gibson. Archived from the original on half-dozen October 2014. Retrieved 29 September 2014.
  16. ^ Marsh 1983, p. 382.
  17. ^ Peter, Townshend; Who, The (18 February 2008). "Won't Get Fooled Over again". Musicnotes.com . Retrieved 27 May 2021.
  18. ^ a b c d Neill & Kent 2002, p. 284.
  19. ^ Neill & Kent 2002, p. 288.
  20. ^ Marsh 1983, p. 389.
  21. ^ Marsh 1983, p. 388.
  22. ^ "CashBox Record Reviews" (PDF). Greenbacks Box. 3 July 1971. p. 22. Retrieved x December 2021.
  23. ^ "The Who, 'Won't Get Fooled Again'". Rolling Stone . Retrieved 23 September 2021.
  24. ^ "BRIT Certified". BPI. Retrieved 15 Apr 2018. – Type "Won't Become Fooled Over again" into the search box to verify the laurels
  25. ^ Neill & Kent 2002, p. 278.
  26. ^ Atkins 2003, p. 23.
  27. ^ Marsh 1983, p. 479.
  28. ^ Marsh 1983, p. 499.
  29. ^ Edmondson, Jacqueline (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture [four volumes]: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture. ABC-CLIO. p. 280. ISBN978-0-313-39348-8.
  30. ^ "Who Dat". Billboard. 6 Feb 2010. Retrieved ii December 2014.
  31. ^ Unterberger 2011, p. four.
  32. ^ Atkins 2000, p. 162.
  33. ^ Atkins 2003, pp. 24–26.
  34. ^ "Won't Go Fooled Again – Roger Daltrey". AllMusic . Retrieved 17 January 2015.
  35. ^ "Pete Townshend Goes Acoustic on 'Won't Become Fooled Again'". Rolling Stone. xi October 2012. Retrieved 17 January 2015.
  36. ^ Bogovich, Richard (2003). The Who: A Who's who. McFarland. p. 198. ISBN978-0-7864-1569-4.
  37. ^ "The Tonight Bear witness Starring Jimmy Fallon". Fallon This evening (Facebook) . Retrieved 28 January 2020.
  38. ^ "Lookout man the Who Perform 'Won't Get Fooled Once again' With Toy Instruments on 'Fallon'". Rolling Stone. 16 May 2019. Retrieved 28 January 2020.
  39. ^ Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Nautical chart Volume. ISBN0-646-11917-six.
  40. ^ "The Who – Won't Become Fooled Again" (in French). Ultratop 50.
  41. ^ "Hits of the World". Billboard. 25 September 1971. p. 45. Retrieved 19 January 2015.
  42. ^ "– {{{song}}}" (in German). GfK Entertainment charts.
  43. ^ "The Irish Charts – Search Results – Won't Go Fooled Again". Irish Singles Nautical chart. Retrieved January 10, 2018.
  44. ^ "Nederlandse Height 40 – The Who" (in Dutch). Dutch Height 40.
  45. ^ "The Who – Won't Go Fooled Once more" (in Dutch). Single Top 100.
  46. ^ "Greenbacks Box Top 100 9/eighteen/71". tropicalglen.com. Archived from the original on seven June 2015. Retrieved 13 January 2018.
  47. ^ "Top 100 Hits of 1971/Peak 100 Songs of 1971". www.musicoutfitters.com.
  48. ^ "Cash Box YE Pop Singles – 1971". tropicalglen.com. Archived from the original on 6 Oct 2016. Retrieved xiii Jan 2018.
  49. ^ "Won't Get Fooled Again – Labelle". AllMusic . Retrieved 2 December 2014.
  50. ^ Christe, Ian (2009). Everybody Wants Some: The Van Halen Saga. John Wiley & Sons. p. 190. ISBN978-0-470-53618-6.
  51. ^ "Won't Get Fooled Once more". Billboard Mainstream Rock Chart. Retrieved 17 Jan 2015.
  52. ^ "Diamonds Unlocked – Axel Rudi Pell". AllMusic . Retrieved 17 January 2015.
  53. ^ "Killer Grass – Hayseed Dixie". AllMusic . Retrieved 17 Jan 2015.
  54. ^ "Nobody Left to Crown – Richie Havens". AllMusic . Retrieved 17 January 2015.

Sources

  • Atkins, John (2000). The Who on Record: A Critical History, 1963–1998. McFarland. ISBN978-0-7864-0609-8.
  • Atkins, John (2003). Who's Next (Deluxe Edition) (Media notes). Polydor. 113-056-two.
  • Marsh, Dave (1983). Before I Get Old : The Story of The Who. Plexus. ISBN978-0-85965-083-0.
  • Neill, Andrew; Kent, Matthew (2002). Anyway Anyhow Anywhere – The Complete Chronicle of The Who. Virgin. ISBN978-0-7535-1217-3.
  • Unterberger, Richie (2011). Won't Go Fooled Over again: The Who from Lifehouse to Quadrophenia. Jawbone Press. ISBN978-1-906002-75-half dozen.

External links [edit]

  • Lyrics of this song

wilsonponerver.blogspot.com

Source: https://en.wikipedia.org/wiki/Won%27t_Get_Fooled_Again

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